Full Throttle Girl Japanese Drama

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When teenager Mohamed (Tewfik Jallab) is shot by police, his friends want revenge, but he has a better idea: peaceful protest. Marching from Marseille to Paris, they band together with quite an assortment of characters along the way.Inspired by true events, the March for Equality and Against Racism took place in France in 1983, but only the retro wallpaper and TVs remind us that it’s not present-day. The generally-good-hearted-yet-rather-violent film is honest about communal life: the most bitter disagreements take place not with the bigots they meet, but within the group. Director Robert Redford plays a widowed single father whose past in a militant left-wing protest group comes back to haunt him. Their activism included bank robberies and one resulted in a death; justice has finally caught up with a former pal (Susan Sarandon) which puts the spotlight back on everyone involved.

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Now a fugitive, he desperately needs to clear his name and elude both the FBI and Shia LaBeouf, one of those pesky reporters who’ll do anything for a scoop.The subject matter could spark a moral debate; characters argue that it’s violent NOT to act when your government is killing innocent people by sending them to war, and what’s one unfortunate bank guard compared to thousands of soldiers drafted to Vietnam? Hmm, not sure that would fly with Gandhi, but it’s a thoughtful movie with some thrilling sequences and a stellar cast including Julie Christie, Stanley Tucci, and Anna Kendrick.

Le Secret (1974). Martin McGartland's autobiography is the story of a Belfast lad working undercover for the British police, resulting in a life on the run from the IRA and the need to change his identity as often as his socks. Although he objected to the film’s loose interpretation of the facts, McGartland's story is a compelling one, with Ben Kingsley as the kindly mentor with all the best lines (“If he’s useless I’ll give him to MI5”). He’s the only person Martin (Jim Sturgess) can talk to – even his closest loved ones don’t know about his double life. (Which is further complicated by Rose McGowan as a seductive IRA superior.)Alongside all the family drama and relationship development there are some truly terrifying moments, including the most audacious escape imaginable and a white-knuckle ambulance ride. The Lost Honour Of Katharina Blum (1975). When an American professor in Pakistan is kidnapped, undercover CIA agent Bobby Lincoln (Liev Schreiber) interviews the hostage’s colleague Changez (Riz Ahmed).

As an ambitious young whippersnapper relocated to the USA, Changez rapidly moved up the corporate ladder, to the delight of his boss Kiefer Sutherland. 9/11 changes his world; suddenly travel means humiliating strip searches, he’s criticised for growing a beard because “it’s freaking people out,” and things go pear-shaped when his girlfriend (Kate Hudson) exploits their relationship for her artwork and Changez realises that dating a Pakistani man does wonders for her hipster reputation.Contrasting American skyscapes with stunning Eastern sunrises and mosques, the film is handsomely shot and offers an empathetic view of what it must be like when world events force you into a corner. Lincoln is unconvinced that Changez is completely innocent; will his distrust help or hinder his search for the truth? All The King’s Men (1949). The classic tale of an idealistic man corrupted by power: Broderick Crawford gives a dynamic (and according to Hollywood memoirs, drunk) performance as Willie Stark, a politician who promises he’ll always represent the 'hicks'.The film is of its time, full of hysterical drink-flinging (and possibly the only melodramatic slap that actually results in someone saying “Ow!”) Getting a woman’s attention means grabbing her by the shoulders and shaking her like a rag doll, and you may also giggle childishly at a crowd chanting “WE WANT WILLIE”.

But timeless issues emerge: who can hold Stark to account when he owns the police and the press?Although huge at its release, it lacks the current fame of, say, Mr Smith Goes To Washington. The 2006 remake featured Sean Penn, Jude Law, Anthony Hopkins and Kate Winslet, but the “Southern” accents may mean it’s best avoided if you’re a dialect coach of a sensitive disposition.

Windows Communication Foundation (WCF) includes a new serialization engine, the DataContractSerializer. The DataContractSerializer translates between. NET Framework objects and XML, in both directions. This topic explains how the serializer works. Test wcf serialization. Here is an example MyClass1 obj = new MyClass1; DataContractSerializer dcs = new DataContractSerializer(typeof(MyClass1)); using. Windows Communication Foundation (WCF) can use two different serialization technologies to turn the data in your application into XML that is transmitted between clients and services, a process called serialization.

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A multi-Oscar-winning movie so critically acclaimed that it made the top ten of 'Epics' according to the American Film Institute: underrated? But it is a somewhat forgotten classic which deserves to be enjoyed by a whole new generation, particularly for the genuine interview footage peppered throughout.Warren Beatty stars (and co-writes, directs and produces) in this tale of journalist-turned-communist-activist John Reed. He makes an instant impact on socialite Louise Bryant (Diane Keaton), who leaves her husband to join Reed and the ragtag bunch of bohemians and activists in Greenwich Village. Their politics become more radical; Reed becomes involved with the Communist movement in America, and later writes the first-hand account of the Russian revolution which became Ten Days that Shook the World.

Jack Nicholson plays Bryant’s other lover, Eugene O’Neill (allegedly cast because Beatty considered him the only guy who could possibly “take his girl'). The War Is Over/ La Guerre Est Finie (1966). Inspired by a real-life journalist, this movie features blistering performances from Kate Beckinsale, Matt Dillon and Vera Farmiga. Rachel Armstrong (Beckinsale) is a reporter with the scoop of a lifetime – fellow soccer mom Erica Van Doren (Farmiga) is a covert CIA operative. But unleashing this information causes a world of trouble and a court case for Armstrong as she refuses to reveal her 'treasonous' source.The rights and wrongs of the story are debatable – what’s so heroic about outing a CIA operative for the sake of getting a Pulitzer, anyway? Did Armstrong really do such an admirable thing in keeping her source’s confidentiality, or was she in fact protecting herself from accusations of exploitation? Ultimately, the most compelling point the movie makes is that when the government can force journalists to either censor their reporting or give up their sources, you no longer live in a free country.

Interview With The Assassin (2002). Imagine, if you will, an episode of Louis Theroux’s Weird Weekends in which the intrepid reporter hangs out with an old guy who claims to have assassinated JFK. That is essentially the format of this movie, and as mock documentaries go it’s much more convincing and entertaining than 2006’s Death Of A President, which imagined the aftermath of the death of George W. Bush (and for me didn’t quite gel).Struggling cameraman Ron (Dylan Haggerty) is intrigued when his neighbour Walter (Raymond J. Barry) confesses that he shot Kennedy.

But as the pair attempt to track down proof, the ex-marine shows off a volatile, unpredictable side and odd events suggest that a major conspiracy may not be so impossible; what has Ron got himself into? It’s a clever docudrama which feels totally authentic and reminds us you don’t need a big budget to make a masterful movie.

Under Fire (1983). Starring Gene Hackman, Nick Nolte and Joanna Cassidy as reporters covering the Nicaraguan Revolution in 1979, this has intelligence and a gritty realism often missing in Hollywood blockbusters. War correspondents move in a herd to chase stories, but the human interest begins when emotions creep in; how can you maintain journalistic integrity when you’re not only choosing sides but actually affecting the news you’re supposed to be recording objectively?As always, the stars are white, although the script attempts to address this with a refugee commenting “Fifty thousand Nicaraguans have died and now a Yankee. Perhaps now America will be outraged at what has happened here.” Similarly, 1995’s Beyond Rangoon (starring Patricia Arquette as a tourist caught in a political uprising) was pilloried in a Rolling Stone review for defining “Third World political unrest through its effect on a white liberal.' (Still an exciting adventure of a film.) 13. The Silent War (2012). In 1950s China, a secret unit codenamed 701 sends beautiful, ruthless Zhang Xue Ning (Zhou Xun) to recruit a womanising piano tuner for espionage work; she comes back with his blind assistant.

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He Bing (Tony Leung Chiu-Wai) compensates for his lack of sight with extraordinary hearing, which makes him the perfect secret weapon for tracking down enemies, pinpointing their communications within the white noise of numerous radio channels.He Bing’s interest in Xue Ning provides a romantic sub-plot which starts out cute and quirky before developing a haunting quality; will her dedication to the job prevent a happy ending? It’s a visually sumptuous film with memorable characters, gripping moments, and actors at the very top of their game.